What’s Missing in the SOPA Debate?
The Entertainment Industry’s Failure to Meet Demand
By now you’ve heard about the Stop Online Piracy Act, both the arguments for and against. As the head of a progressively-minded online firm, I have a bias toward openness and against restrictions of content.
So we’re generally opposed to SOPA on principle. At the same time, as a creative, I also strongly believe in protecting the ability to generate money from creative work.
What I don’t understand, on any level, is why the entertainment industry is not being taken to task for even needing SOPA in the first place.
Flash back one year ago. I’m without broadcast TV, and it’s Super Bowl Sunday. Like any other red-blooded American, I want to watch some football and the accompanying cavalcade of $2 million ads.
I ended up looking online for a live feed of the game. Fox TV and Fox Sports did not make the game available. NFL.com did not have the game. No American outlet was providing me with the ability to watch the game legally.
In the end, I found a pirated feed.
Not only was I able to watch the game, but I also viewed every single advertisment. I became another set of consumer eyeballs, which should be exactly what Fox and the NFL should be wanting to promote.
Do I feel guilty about this? Not exactly. I don’t like the idea of breaking the law, and I would choose not to … were I given reasonable option.
And that’s where the entertainment industry is failing American consumers.
Rather than working to meet the burgeoning demand for online access to their content, media producers are instead fighting to protect an out-dated system. Whether it’s music or television or movies, the entertainment industry has been late to the game in meeting this demand and just as laggardly at keepign up with technology.
Napster didn’t happen because people wanted to break the law. It happened because consumers wanted music. The Pirate Bay doesn’t exist because people want to steal movies and TV shows. It exists because there is no real viable alternative in the marketplace.
We are seeing some consumer-centric products arriving. Hulu and Spotify are two examples, and yet the entertainment companies remain wary of commiting too strongly to them. CBS, for example, doesn’t participate in Hulu. Still, both have shown that when given a viable option, consumers will pay for access.
Instead, consumers are essentially being held hostage to protect out-dated modes of distribution, whether that’s movie theaters, local TV affiliates, or record labels themselves. Yet the genie is out of the bottle, and consumers are increasingly finding ways to meet their demand, even when the providers themselves are unwilling to meet that demand.
And no matter what steps the government or the media companies take, piracy (like money in politics) will always find a way to exist. You can’t eliminate it.
Instead of coddling an entertainment industry bent on limiting access to content, Congress should seek ways to encourage this very same industry to respond to the demand that exists. Rather than requiring online services to spy on consumers, shouldn’t the movie, music and TV creators be making their content more widely available?
Eyeballs are eyeballs, whether they watch the Super Bowl on television or online. Plus, Spotify and Hulu have both shown consumers are willing to pay for upgraded access as well.
The new models are out there. The demand is out there. Now we just need Congress to kick the entertainment industry in the wazoo and tell them to start serving their customers.
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